Issue no. 52 of Grey Room (Summer 2013) is a special issue on Guy Debord's cinema. My text "Guy Debord and The Cultural Revolution" (pp. 108-127) looks at Debord's films as well as other aspects of his practice in the context of fundamental transformations of the cultural sphere in and since the 1960s and 1970s. In order to shift the terms of the debate away from an exclusive focus on cinema I use the notion of cultural revolution, which the Situationists employed in the late 1950s, and which has had a glittering career in other circles. I will investigate this (and argue for the term's relevance) more fully in an essay on which I'm currently working.