Fillip no. 18 is out now, and this issue contains a section on art and labour edited by Gabrielle Moser, "Always Working." This section contains my essay "The Making of Labour: The Movie" (a short draft of a longer text to come).
My text is complemented by a contribution from Natascha Sadr Haghighian. Gabrielle asked me the name of an artist I'd like to share the "Always Working" section with, and Natascha came to mind; her projects are among the most incisive artistic articulations of the antoinomies of contemporary labour, from Solo Show to I Can't Work Like This.
The aim was to have an autonomous contribution that did not run any risk of being taken for an illustration. I do not discuss Natascha's work in this particular text, which focuses on a number of recent film and video projects by artists/filmmakers including Harun Farocki, Hito Steyerl, Zachary Formwalt and the greatly missed Allan Sekula.